Questão de Languages, Codes and their Technologies #019e354a
— Vá para o inferno, Gondim. Você acanalhou o troço. Está pernóstico, está safado, está idiota. Há lá ninguém que fale dessa forma!
Azevedo Gondim apagou o sorriso, engoliu em seco, apanhou os cacos da sua pequenina vaidade e replicou amuado que um artista não pode escrever como fala.
— Não pode? — perguntei com assombro. E por quê?
Azevedo Gondim respondeu que não pode porque não pode.
— Foi assim que sempre se fez. A literatura é a literatura, seu Paulo. A gente discute, briga, trata de negócios naturalmente, mas arranjar palavras com tinta é outra coisa. Se eu fosse escrever como falo, ninguém me lia.
In this excerpt, the characters' discussion brings to the forefront a debate about writing that
It distinguishes artistic production from the standard register of language.
It brings literature closer to social dialects with little prestige.
It defends the relationship between an author's speech and literary style.
It contrasts linguistic precision with colloquial situations.
It associates the use of standard language with the occurrence of personal disagreements.
Explicação Oficial / Explicações da Comunidade
Analysis of the Fragment from "Saint Bernard"
The correct answer is option A. D) contrasts linguistic preciosity with colloquial situations.
1. The Central Conflict: The Nature of Literary Writing
The dialogue between the characters Paulo Honório and Azevedo Gondim stages one of the most classic debates in literary theory: the relationship between spoken and written language in art. The two positions are clearly opposed and irreconcilable in the fragment.
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Paulo Honório's Position (defender of colloquialism): He criticizes Gondim's writing for being artificial and detached from reality. His key phrase is... **"No one there speaks like that!"**For him, good writing should have the naturalness and truthfulness of everyday speech (a colloquialismHe is horrified by the idea that an artist cannot write as they speak.
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The Position of Azevedo Gondim (defender of preciosity): He advocates a radical separation between life and art. His thesis is... **"An artist cannot write as they speak."**For him, literature has its own rules and its own code, which is different from the language used to "discuss, fight[r], deals[[r] of business." This view values an elaborate, artificial language distinct from common speech, which characterizes the linguistic preciosity.
2. Explicit Opposition
The debate is therefore structured around a opposition (a direct opposition) between these two poles:
- Linguistic preciosity: Represented by Gondim's "pretentious" writing and his defense that "literature is literature". 2. Colloquialism: Represented by Paulo Honório's ideal of writing that reflects the naturalness of speech.
The discussion is not about what is right or wrong, but about the existence of this conflict of views regarding writing.
3. Evaluation of Other Alternatives
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A) It differentiates artistic production from the standard register of the language: Incorrect. The debate is not between art and "standard norms." Paulo Honório's criticism is not that Gondim made grammatical errors, but that his style is artificial, "pretentious." The opposition is between the artificial and the natural (speech), not between art and grammar.
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B) It brings literature closer to social dialects with little prestige: Incorrect. Paulo Honório does not advocate the use of slang or a specific dialect of a marginalized group. He defends the naturalness of speech in general, not a dialect with "low prestige".
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C) defends the relationship between an author's speech and literary style: Incorrect. This option only describes Paulo Honório's position, ignoring Gondim's. The question asks about... debate, which includes the two opposing views.
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E) associates the use of standard language with the occurrence of personal disagreements: Incorrect. The disagreement does not arise because of the use of standard language, but because of what Paulo Honório perceives as affectation and falsehood in Gondim's style.
4. Conclusion
The excerpt from Graciliano Ramos dramatizes a fundamental debate about literary language, directly contrasting the ideal of an artificial and elaborate writing style (preciosity) with that of a natural writing style closer to the reality of speech (colloquialism).```